4) became something of a viral sensation when it first surfaced on a Record Store Day single in 2013. lyrics Songfacts®: Ozzys group Black Sabbath recorded this in 1972 for their album Vol. Bradley turns the tune into a deeply soulful tribute to his late mother, with tremolo guitar taking over the piano part and accompaniment from low horns, the gentle burble of a Hammond organ and a solid, subtle rhythm. + If Wilson Pickett could cover the Archies and Al Green could interpret the Bee Gees, why shouldn't Charles Bradley put his spin on Black Sabbath Bradley's deep, soulful reading of Black Sabbath 's 'Changes' (from 1972's Vol.

The Screaming Eagle of Soul, as the 68-year-old Florida-born, Brooklyn-based Bradley is billed, first released it as a single on Record Store Day in 2013. The original was inspired by drummer Bill Ward’s breakup with his first wife. That, however, is exactly what Charles Bradley has done with Changes, a song from a most unlikely source, the heavy-metal Brummies’ 1972 album Vol 4. The improbable centerpiece of the album, though, is the title track, a reworking of a mawkish Black Sabbath piano ballad from the group’s 1972 album Vol. From Charles Bradley's latest album, Changes, out nowDirected by Eric Feigenbaum egopuppetsProduced by Jessie English for Remedial Media.

He sounds humble and grateful on “Good to Be Back Home,” bemusedly lovelorn on “Crazy for Your Love” and vexed on “Ain’t It a Sin,” a bone-rattling boogie tune propelled by choogling guitar, blaring horns and rapid handclaps. He probably did: Bradley has said he comes up with lyrics on the spot, while the band vamps behind him, giving his words an especially heartfelt emphasis.īacked by a selection of musicians from the Daptone Records stable who lay down one hard-edged groove after another, Bradley draws on his recent experiences traveling around the world to perform, along with a few more standard soul tropes involving love and heartache. By now, at age 67, that electrifying voice has definitely become its own thing, and he inhabits the songs on his new album as if he lived them. You can hear it in his voice, a magnificent, gravelly shriek that retains traces of the James Brown impersonation he used to do under the name Black Velvet. It’s a lot like his music.īradley is a soul survivor who came up the hard way, scratching out every break he ever got through a combination of working his tail off and perseverance. Change for the World Charles Bradley Track 10 on Changes Produced by Thomas Brenneck Released on Charles Bradley’s third album, Changes (2016). He really means it, for one thing, and he seems to take as much solace from the gesture as he inevitably gives. Few things are more spiritually profound than getting a hug from Charles Bradley.

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